![]() ![]() Whatever your taste in music, you could never accuse this of being dull. Take a look at Epidemic Sound artist Superintendent McCupcakes, and his video for ‘NO CURVES’ – that should give you some inspiration. Unless the music demands it, try to avoid repetition within the shots and techniques you use. Static shots, shots that all follow the same formula, the same kinds of shots – you’ll run the risk of boring viewers. Unless you’re going for something like James Blunt’s ‘You’re Beautiful’ – we’re shivering – then your music video will likely need to operate with some form of dynamism. The variety will help give the finished product a more ‘lived in’ feel, and it’ll save you a headache if you’re struggling to find usable shots from your primary footage. If someone else filmed the music video, ask if they have any B-roll. If you’re both filming and editing, make sure to pick up some extra shots to save you trouble in the edit. In a nutshell, B-roll shots are ‘extra’ or alternative pieces of footage that can add context and spice to your finished video. Don’t forget the B-rollī-roll is an essential ingredient for editing music videos. ![]() You’ll need to familiarize yourself with the track’s peaks and troughs, identify the ‘hook’ moments, and line up the tempo of your on-screen action with the music’s BPM. If your footage doesn’t include the artist, your music video edit will require a little more nuance. Programs like Adobe Premiere Pro can make this part of editing music videos a dream, thanks to its ‘Automate to Sequence’ function. Pay extra attention to timing, as even a fraction of a second’s difference between a lip-sync and the music can be confusing. After all, you’ll have an idea of what you want to convey with your B-roll, and when you want to cut back to the artist belting out a huge chorus. If you’re editing a performance video, it should be easy to identify the shots you want to include. It doesn’t matter if they’re lip-syncing to the song or climbing up a mountain – the artist is the point from which your music video hangs. If you’re including the artist within the music video, cut that footage first. A formal, detailed document like a script or storyboard will also help others offer their input. If they request a rundown of everything beyond the initial treatment, you’ll get bonus points for delivering the goods oven-ready. Even if you’re working on your own, you can’t go in without a plan – you’ll have too much footage and no context with which to assemble the final product.ĭo what feels right for you, but keep the artist in mind. Whether you storyboard it or write a script, you’ll need a running order. It can be a tricky tightrope to walk, so let’s break down some of the key music video editing tips, tricks, and techniques you should know. The visual aspect is used to enhance the music, rather than the other way around. Music videos are a different beast to, say, vlogs, travel content, or bite-sized YouTube Shorts. Check out all the tips, tricks, and cheat codes below. Shooting a music video is tough enough, but how about editing a music video? Don’t worry – we’ve got you covered. ![]()
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